Monday, September 17, 2007

Worst pitch meeting EVER!

Saw this on Kung Fu Monkey. So freaking funny... had to share:

Tuesday, September 11, 2007

Hilarious Bud Light commerical

I heard that this wasn't allowed to air due to its content, but I don't know if that's accurate or not:

Sunday, September 09, 2007

Recent History: Photographs by Luc Delahaye

From July 31 to Novemeber 25, the Getty Center in Los Angeles is has an exhibit called "Recent History: Photographs by Luc Delahaye." I went today and I cannot recommend it more. There are only maybe 10 photographs on display, but don't let that keep you from going. Remember, the Getty is free aside from parking (which is currently $8 per car).

Delahaye's photographs are astounding to look at when on display. I didn't even want to put one of his photos in this post because I don't think any gif or jpeg will do them justice (although the Getty site linked above does have images). Not only does Delahaye capture unique and painfully real images, but the prints are then blown up to what the museum describes as "near life-size." Each print is several FEET long and high. I felt like I could almost step into the scene.

The rest of this will really only make sense if you've been to the exhibit or (gasp!) looked at the photos online:

I truly liked every single one on display. My favorite was the one called "Aftermath in Meulaboh" depicting a single man standing in a field of rubble in the wake of the 2004 Tsunami. According to the exhibit brochure, Meulaboh lost 1/3 of it's population. The sadness of the scene is intense and immediately affecting.

"A Mass Grave near Snagovo, Bosnia" made me feel like I was dead inside. As the exhibit notes, the scene feels almost clinical and academic, when in fact these four people are kneeling in death. I felt like I should've had more of a reaction at first sight... but that's the point of the photograph, isn't it?

I've been thinking about every one of the photographs ever since I saw them today. I may even go back to see them again in a few weeks.

UPDATE: The following quote was up on the wall in the first room of the exhibit mixed in with other info on Delahaye and his work. I found it to be indicative of not only the photographs, but also in an overall sense, of how the photos impacted me:

"There is something rather beautiful about the practice of photography: it allows the self to be reunited with the world." --excerpted from "Luc Delahaye: Snap Decision," interview by Philippe Dagen, Art Press no. 306.

Saturday, September 08, 2007

my Fall 2007 TV (read Tivo) line-up

Thanks to the Fall TV Preview issue of Entertainment Weekly (EW), I've been able to piece together what I'll be watching this fall. And by the way, I list cable programs without a time because they tend to rerun often, so I let the networks take priority and watch/record the reruns a couple hours later. Alright, here we go:

Sunday:
8:00 Simpsons (Fox)
9:00 Family Guy (Fox)
cable: Battlestar Galactica (SciFi, when it returns)

Monday:
8:00 Chuck (NBC)
9:00 Heroes (NBC)
10:00 Journeyman (NBC)
(If Chuck sucks, I'm quickly switching to Aliens in America, 8:30 on The CW, which EW says is excellent. And, I don't think Journeyman will last long, but I like Kevin McKidd from Rome and more importantly Dog Soldiers.)

Tuesday:
8:00 Bones (Fox)
9:00 Reaper (CW)
cable: Eureka (SciFi)

Wednesday:
8:00 Pushing Daisies (ABC)
9:00 Bionic Woman (NBC)
10:00 Dirty Sexy Money (ABC)
(I'm only checking out Dirty Sexy Money because I think it'll be like Falcon's Crest, and who doesn't miss Falcon's Crest? I should tell you that I have no basis for this assumption)

Thursday:
8:00 My Name is Earl (NBC)
8:30 30 Rock (NBC)
9:00 The Office (NBC)
9:30 Scrubs (NBC)
cable: It's Always Sunny in Philadelphia (FX), Burn Notice (USA)

Friday:
9:00 Friday Night Lights (NBC)
cable: Stargate Atlantis, Doctor Who (SciFi)
(I'd check out Moonlight (CBS) and Women's Murder Club (ABC) too, but they conflict with FNL. No, I don't have a dual-tuner Tivo!)

Saturday:
11:30 Saturday Night Live! (NBC)

That's it (I think). Go ahead, copy me. It's ok. I don't mind.

3:10 to Yuma

Quick review: 3:10 to Yuma, I'm talking about the new one, is awesome! A great western that flawlessly mixes action with drama. The gun fights were imaginitive and fresh... not the same old High Noon fare (not that High Noon isn't a good film too). Russell Crowe was absolutely incredible. A let's not forget Christian Bale! Ben Foster was mighty good too. It's just a good good good movie. Go see it.

Bridge to Terabithia

I've had the book sitting on my shelf for months and haven't read it yet, but someone did just give me the DVD of the most recent movie version of the book.

I liked it. Worth watching. Not what I thought it was going to be, but that turned out to be a good thing. Disney's marketing department really went off in the wrong direction on this one. From the trailers, they made it seem like a new Narnia, ie. a fantasy epic involving kids and a mythical army of animal soldiers fighting some dark force. This immediately seemed off because Terabithia, like Narnia, was made by Walden Media and Disney. Why, with the first Narnia film still in recent memory, would you market your film to look like a wannabe Narnia?

Whatever. Forget all that. Bridge to Terabithia isn't about another fantasy realm that exists just outside of memory. It's about friendship, responsibility, and the power of imagination, all set in the real world. Remember that going in and you won't be mislead or disappointed.

The only problem I had with the film was the soundtrack. The Miley Cyrus, Hayden Panetierre, etc. tracks were out of place. Seems like Disney was trying a little too hard to promote their up-and-coming music stars. One scene in particular suffers from the poor choice of songs... it's the one where the kids are setting up their tree... you'll understand when you see it. The scene could've been much better with a different song. Never underestimate the power of the sound in a movie, be it music, effects, etc. That said, the inclusion of Steve Earle's Someday was a nice touch and perfectly emulated the tone of the scene and the movie as a whole.

I'm curious now to read the book to see how it differs from the film. Good thing I already own it, eh?

Saturday, September 01, 2007

(formerly known as the) E.B.S.

This has never happened to me before. When I was driving today, listening to the radio, the Emergency Broadcasting System activated... and it was NOT a test. It freaked me out for a sec, especially since the buzzer went off, the beeps sounded, and nobody said anything for almost a minute. Then a voice came on saying that there had been several tornadoes spotted in Kern County, CA, and that people should seek the appropriate shelter. I was about 150 miles west of there at the time, so I was good (whew!)

But I couldn't believe the EBS went off while I was listening to the radio! Weird... and kinda cool at the same time.

UPDATE: According to a Google search, it's now called the Emergency ALERT System.

Tuesday, August 28, 2007

The Return of Klaatu

Not really. Well, not quite, anyway.

Honestly, I don't see why Klaatu would ever really need to come back to Earth. He did his job and we're all hanging (peacefully!) with Gort on the National Mall, so all is good.

Kinda went off on a bit of a tangent there. Let me begin again...

Do the words "Klaatu, Berata, Nikto" mean anything to you? Aside from in the context of Army of Darkness, that is. If so, then you've probably seen the 1951 sci-fi awesomeness that is The Day the Earth Stood Still.

As old sci-fi goes, this has to be one of my favorites. I still own this movie on VHS although I plan on replacing it with the DVD any day now. I really don't know why I like this movie so much, except to say that the story is good and makes sense, it's fairly acted, and it has a moral that will knock you on your ass with how relevant it still is today.

Well, it turns out that The Day the Earth Stood Still is being remade for a 2008 release starring Keanu Reeves as the alien, Klaatu. I like Keanu Reeves and think he's a fine actor, and I have nothing against remakes in general, but I'm super-skeptical about this one. My worry is that they'll over-politicize it when transporting the story to the present day. The politics that were the backdrop of the original are no where near the same as they are today. Not even close.

Despite all that, I'll go see it. Like I said, I like Keanu Reeves and tend to enjoy most, if not all of his movies. That, and I'll just be curious as hell.

(by the way, this is another poster I'm dying to get. Either the one sheet (above) or the three sheet, which is pretty cool too).

UPDATE: a quick Google search revealed that you can watch all of The Day the Earth Stood Still (1951) on Google Video, although I urge you to watch it on DVD or better yet, at your local theater if it's ever shown.

UPDATE 2: if you just want to watch the trailer, here it is, courtesy of the wonder that is Youtube:

Oh yeah... Heroes too

In case you didn't see Heroes on NBC last season (what is wrong with you?!?) and didn't watch the numerous reruns on the SciFi Channel (seriously, what? No Tivo?), then I'm here to tell you that your prayers have been answered: Heroes: The Complete First Season is now available on DVD.

Drop everything. Go buy it. It's freakin' awesome and you'll love it (or not). Either way, soon you'll know what the rest of the world has been talking about for the past 9 months.

Friday Night Lights on DVD

Friday Night Lights: The Complete First Season came out on DVD today. Target, Best Buy, and Amazon all have it for $19.99 this week. That's $20 for 22 episodes... a serious bargain!

Do me a favor and check this show out. It's a critically acclaimed yet under-watched show that has some of the best acting and writing I've seen on TV in a long while. Kyle Chandler and Connie Britton stand out in particular for their impeccable portrayals of Coach and Mrs. Taylor.

And don't worry if you're not a fan of football, there's not a hell of a lot of game time in the episodes, but when there is, it's hold-your-breath exciting and suspenseful.

If you don't want to buy it, rent it. Season 2 starts this fall, moving to Fridays (finally!) on NBC.

Monday, August 27, 2007

"We all go a little mad sometimes" - Psycho


I went to see Alfred Hitchcock's Psycho on the big screen this past Friday at the Aero Theater in Santa Monica. I've seen this movie maybe 10 times (at least)... I even own it on DVD... but this was a unique experience.

Quick tangent: I want the poster shown above or one of it's variations. Really I just want any of the ones that have Hitch pointing at his watch telling people they can't come in after the movie starts. If you know where I can get one, let me know. I can't seem to find it anywhere. Maybe I'm not looking hard enough.

But I digress...

The theater was packed. My friend and I got good seats about half-way down and just to the right of center. I had my buttered popcorn and a Sprite as I settled in waiting for the film to start. After a quick intro by the theater manager, the movie started.

Bernard Hermann's score is REALLY disturbing when piped into a dark, crowded theater. Again, I've seen the movie before and I was immediately agitated and anxious and loving every minute of it:



The theater erupted in applause when Hitch's name appeared on-screen.

Now, before I go on, I must tell you that there will be SPOILERS from here on out, but seriously, if you haven't seen this movie yet and/or (even better) you're one of the few people out there who don't know what happens at the end, stop reading and go rent this movie.

It must've been very trippy for folks watching Psycho when it first came out to not know that Janet Leigh (who is gorgeous, by the way) was going to get killed. Even if people talked about the infamous shower scene, they may have been slightly mislead into thinking that Vera Miles was the victim due to the ingenious trailer for the film in which Hitch gives a tour of the Bates Motel:



Now, one thing I didn't notice before and probably only did this time because the picture was 3 stories high (or whatever) is that Hitch really made Janet Leigh's character seem a little crazy before she gets to the Bates Motel. When she's driving in the rain and is imagining what people back in the Phoenix are talking about, her eyes get wide with a hint of crazy in them, and even though she's imagining the downfall of her plan, I swear to you she looks like she's smiling.

Jump ahead the Bates Motel, and say hello to Norman - a nice, polite, generous, good-looking, funny, and charming young man - played to absolute perfection by Anthony Perkins. He was an actor ahead of his time. He made Norman Bates so REAL, that this eventually becomes a horror movie in the truest sense of the word. By the end, you'll realize that everything you've seen is not all that ridiculous.

The shower scene was absolutely frightening. In this large theater, no one was moving. There's no music at the beginning of the scene. You're just sitting there, in the dark, listening to the water fall. The door swings open without a sound and the figure moves forward. Then the curtain flies back, the music starts, and then is punctuated by screams and stabbing sounds. When the scene is done and Marion (Leigh) is lying there dead, again all we hear is the shower until almost a minute or two later, Norman cries out "Mother! Oh God Mother! Blood!" Powerful, powerful stuff:



Let's skip to the end of the movie. Norman Bates is in the holding cell. His "mother" is narrating and says the famous line about not hurting a fly. Norman looks up at the camera... at the audience really. It will remain one of the creepiest moments in movie history. I shivered.

There's so much I'm leaving out, but those were the moments that really made an impression on me when watching the movie on the big screen. There were even moments that were downright funny, sometimes intentionally and sometimes not ("Did Norman Bates kill my sister?" "Yes... And no!")

If Psycho is showing in a bona fide theater in your area soon, I highly recommend you do the same if you get the chance. A masterpiece of film-making.